In 2007, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."[3][4]. Tom Doniphon finds Ranse and takes him to Shinbone. When the fact becomes legend, print the legend," Ford's films show the legend. [21] Jimmie Rodgers also recorded the song, in the Gene Pitney style. "He didn't want Duke [Wayne] to think he was doing him any favors," Van Cleef said. The film, also starring James Stewart, Lee Marvin and Vera Miles, is Ford’s most political film that subverts a lot of myths about the American West as well as the John Wayne persona that Ford himself created “This is the West, sir. The Man Who Shot Liberty Valance. Although atypical of his usual works, it is widely considered Ford’s last great movie and among his best westerns. The film is recognized by American Film Institute in these lists: This article is about 1962 film. That's more than the code of a newspaperman in The Man Who Shot Liberty Valance; it's practically the operating credo of director John Ford, the most honored of American filmmakers.In this late film from a long career, Ford looks at the civilizing of an Old West town, Shinbone, through the sad memories of settlers looking back. In The Man Who Shot Liberty Valance, the newspaper editor says, "This is the West. Ranse is determined that law and justice can prevail over Valance; however, Ranse begins practicing with a gun. As they pay their respects, local newspaper editor Maxwell Scott asks Stoddard why a United States senator would make the long journey from Washington to attend the funeral of a local rancher. Yes. Stewart said he "wanted to crawl into a mouse hole", but Wayne told him, "Well, welcome to the club. – Nominated, This page was last edited on 15 December 2020, at 04:59. Corral. "[20] Portions of the song There'll Be a Hot Time in the Old Town Tonight are played in scenes by bar musicians and a marching band. In addition, the film features a host of scene-stealing character actors—including Andy Devine, Woody Strode, Edmond O’Brien, Lee Van Cleef and John Carradine—and Marvin’s Valance is one of the screen’s most notorious villains. The viewer also knows from the beginning that Ranse will get the girl and that Tom will end up alone. in The Man Who Shot Liberty Valance--but unlike Pilate, Ford waits for an answer. Ranse's wounds are treated by Tom's girlfriend, Hallie, and others, who explain to him that Valance terrorizes the residents, and the town's Marshal Appleyard is powerless to stop him. The screenplay by James Warner Bellah and Willis Goldbeck was adapted from a 1953 short story written by Dorothy M. Johnson. Hallie, attracted to Ranse and concerned for his safety, tells Tom of Ranse's gun practice. He told Bogdanovich that he used the theme in both films to evoke repressed desire and lost love. [32] Roger Ebert wrote that each of the 10 Ford/Wayne westerns is "... complete and self-contained in a way that approaches perfection", and singled out Liberty Valance as "the most pensive and thoughtful" of the group. "[35] The New Yorker's Richard Brody described it as "the greatest American political movie", because of its depictions of a free press, town meetings, statehood debates, and the "civilizing influence" of education in frontier America.[33]. Valance challenges Ranse to a gunfight to be held later in the evening. In the present, Stoddard's political accomplishments fill in the intervening years; but his story will not be published, with editor Scott stating, "This is the West, sir. He feared was rancher Tom Doniphon, played by Lee Marvin, Vera Miles, Lee Marvin, Miles! Territory as a young attorney, Ranse is waiting for him outside him in his later years was only... 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